Wednesday, January 5, 2011

Rage: On

One of the most frequent and obvious distinctions between promising writers and bad ones is how they handle criticism. The other day, something barely comprehensible, scarcely imaginable, and wholly terrifying happened. An author responded to a query complaining that several hours was insufficient time to have truly considered his proposal. You’d think his response would be “thank you for not making me wait days, weeks, even months for an answer.” But instead, thinly veiled by polite words such as “you’d be doing me a tremendous service” was the very clear bait for an argument. I even drafted a response to him explaining why he’d been rejected so quickly. See, there’s a catch-22 involved in this. If I told him the truth, he’d think I’m an asshole because his problems as an author run very, very deep. Or, I could not tell him and he’d think I’m an asshole who just rejects everything after only a cursory glance (which is not true in the least. If I must- very well, I apologize for being a fast reader and on top of my job). This isn’t the real problem. I don’t mind if he thinks I’m an asshole. I AM AN ASSHOLE. But I need to consider the agencies’ reputation and even more significantly it burns me up that no matter what I say that author will walk out of the situation taking entirely the wrong lesson to heart. For the rest of you, and who knows, maybe him too, here’s the skinny.

1. The query letter was a mess. Only two short paragraphs or so, with convoluted text about “good guys” and “bad guys” which said nothing about character or plot, or even about the author.
2. A humdrum opening line.
3. A serious telling-rather-than-showing problem.
4. A complete lack of focus- not only was everything told instead of shown, the sheer amount of details thrown at us from page one without even context to hang it on was astonishing.
5. The manuscript itself was no less a jumbled mess than the letter. This is hard to explain so that you’ll truly appreciate it, so I may go a little overboard here in which case I apologize for the violent and remorseless beating of dead horses. Let’s start with simple stuff. What is a sentence? This is a sentence. “Mary scored the winning goal” is a sentence. “Bobby prepared meatballs” is a sentence. What is not a grammatically correct nor stylistically tolerable sentence? Something like “Jeff rubbed his swollen red eyes which resulted from the hangover he had because he was thinking about his ex-wife’s birthday as a result of going past the Hallmark store where they met and where he had once broken a Christmas ornament and slipped out the backdoor quickly while his best friend Hal distracted the pimply 17 year old clerk who probably wouldn’t have cared anyway because he was a weasely little shit and besides neither Jeff nor Hal had ever seen him work there again; he probably quit because kids today are such fucking slackers and oh god did Jeff’s head hurt like a mother fucker and the ideas forming within coalesced and burst out painfully one after another like kidney stones which, incidentally, Jeff had had twice in the last three years and he wasn’t terribly happy about that at all- no sir.” That’s about on par with how that guy writes. It’s also about twice as interesting, which is much less a testament to my skill as a writer than his lack thereof.

In short, the author was rejected quickly because his manuscript was essentially unreadable. Let’s be clear. I’ve edited college theses for students who never set foot in an English speaking country in their lives. I’ve tutored kids with ADD, Dyslexia, NVLD or who were just straight up dumb or lazy. I don’t think I’ve ever seen such incoherent and culturally bankrupt ramblings in my life. Well sir, you wanted to know why you were rejected. There’s the truth of it . If you place garbage on the corner, you’d best be prepared for the eventuality that the garbage man will cart it away. For those of you with the sense to listen rather than tout paranoia as a defense, I’ve decided to dust off (and add a few things) to a list of my top query no-nos. Join me for the next week or so for a section I like to call “Damn Your Eyes: America’s Funniest Home-Spun Queries.” Maybe after that I can finally get around to the stuff about (picture books in) China I’ve been wanting to post since Christmas.

13 comments:

  1. Ugh. You see people like that in crit sections on writers' boards. They mainly post because they're convinced of their own brilliance and expect every comment to be a compliment to that brilliance. When it doesn't happen that way, they flip.

    Golden Word Syndrome 'tis a terrible thing.

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  2. Damn you are cruel, but I would classify it as asshole. A good crit should always be considered.

    What gets on my nerves is that a boat load of these 'writers' clog the agent's time. For any writer worth their salt, the agent's time is a valuable commodity.

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  3. I think the less time a writer has been writing, the more they react negatively to the critiques they get. When you begin, you are just too emotionally involved, too naive, to know that your writing needs work. A lot of it. Maybe it's a defense mechanism, because, let's be honest, if we knew how long we had to go when we start writing, would we really stick with it? I'm not sure I would have. Luckily, I was insanely optimistic, so I'm still at it.

    ~Erin

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  4. I like the sound of Golden Word Syndrome. Mind if I steal the term?

    I'm not cruel. I'm Italian. Didn't you ever see My Cousin Vinnie? Don't start an argument you're not prepared to finish.

    Many writers never get beyond the defense of their stuff. Admittedly, writing is extremely difficult and authors naturally become attached to their work. How they think kicking up a fuss helps their case is beyond me.

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  5. I agree with Josin, there are a ton of 'em out there. It's unfortunate. I don't get it. If you are that attached to your words, actually getting representation then getting involved in the publishing process is going to really screw with your head. You'll NEVER be able to work with an editor. They're just words people, it isn't like you are going to run out of them. You can always come up with better ones if you aren't getting it right.

    ASSHOLE? Are you kidding? You replied! TO A COMPLAINT. You replied to a complaint about a rejection on a query and you think that's extreme? And you were even polite. Dude, no way. Half the agencies out there don't even reply to queries if they aren't interested. Getting feedback on a query is like, I don't know, getting a free car from a used car salesman. The guy was lucky. Your agency asks for more pages than many. He had a big chance to prove himself. If he got a rejection it either a) sucked or b) wasn't ready yet.

    If it were me I wouldn't want to know, I'd just keep working.
    Bring on the damn picture books.

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  6. Can't steal what I didn't coin :-P

    It's a term we use on Absolute Write to describe just the sort of person you're talking about.

    Defending your work is one thing - it can be good, to a point, because you should believe in what you write.

    Painting cow chips gold and calling them bullion on the other hand, isn't good for anyone. (Plus, the leprechauns will hate you if you try and stuff their pots with gold-painted cow manure. Don't ask me how I know this.)

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  7. The sad thing is, the writers who desperately need this are the ones who may never get it; for the rest of us, you're preaching (very entertainingly, of course) to the choir.

    I still remember the dismay I felt after getting my first rejection from an agent, swift and painless though it was. I'm so glad I resisted the urge to whine.

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  8. Oh man, I really really don't know how you slog through queries like that all day long. It gives me a headache just reading your example, 'non-sentence'. There is no way I could read through pages and pages of that stuff a day. I think rejections always hurt, because, let's face it, we work hard on our books. However, for every writer, there has to come a point in time when we realize we are not God's gift to the literary world. The second I realized that I am fully capable of producing craptastic writing, was the moment I think I actually started to produce some decent stufff as well.

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  9. Fortunately for me, I don't slog through them all day. I've become pretty good at it as a matter of necessity. If I spent an hour brooding over each one, it would take a week to sort one day's queries. Even so, it can be pretty tough. You hear the term "labor of love" tossed around a lot in publishing. It's because the whole thing's basically a big crapshoot and you're always driven by the idea of finding/fixing/selling/printing/branding something great.

    And yeah. Bad writers get touchy. When I was a kid, I took everything personally. Now I'm almost impossible to defend. I'm no great shakes, but I'd be garbage if I hadn't toughened up. The important thing is to be reasonable. If you think too highly of yourself, even if you're good you'll have problems. And if you're overly pessimistic, you wind up choking and refusing to really try because you're afraid of failure. Moderation's the name of the game.

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  10. Offend. Not defend. Sorry. I'm vewy sweepy. I think my dinner may have been drugged by an irate author. Although, I'm probably at least as hard to defend as offend, so whatevs.

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  11. I'm fully guilty of being overly pessimistic at times. It's hard not to be in this biz.

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  12. "Moderation's the name of the game."

    So true.
    Moderation is the key to life-in my opinion anyway.

    ~Erin

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  13. I just have to applaud you for offering any response at all. Half the time any more agencies don't even respond to the query if they're not interested. You replied to his COMPLAINT. He should feel pretty stinking good. If he wants to stay in the business he needs to take the feedback and run with it.

    They're just words people. You won't run out of them. You can delete them, replace them, rearrange them, whatever. Rewrite. Improve. Or, hey I hear that dance reality show pays well.

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